Tag: art

Posted in Psychology & Medicine

Connoisseur

Posted on by Jinavie

On May 24, 1976, a British wine merchant called Steven Spurrier organised a wine competition to determine the top wine from different areas of France and California. The panel of French judges were all wine connoisseurs who would blind taste the wines to give an objective rating. The event, which would later be called the Judgement of Paris, was a turning point in wine history and also shows a fascinating point regarding the arts.

It was predicted by every judge (including Spurrier himself) that the French wine would trump the Californian wine in every field. For how could Californian wine – with only a history of a century or so – beat top-quality, traditional wine from France, famous for its wine since 6th century BC? Even after the tastings, the judges were confident that the wine that they gave the top rating was indubitably French. Unfortunately, they were wrong.

Californian wine were rated best for both red and white wine, critically damaging the reputation of French wine and the validity of wine tasting (even after several complaints, adjustments and re-testing, Californian wine still came out top).

People believed that French wine would be better quality because of the stereotype that French wine is the best. The experiment  showed that there is no real basis for such a stereotype. Therefore, the real reason people pay more for wine from French vineyards is not because it tastes better, but because they want to appear classy and well-cultured. It is possible this also applies to the price of the wine – where people buy more expensive wine believing that it must be better than the wine that is $5 cheaper.

Another experiment highlights how the taste of wine can be affected by classiness. It has been scientifically shown that people buy more expensive wine in supermarkets if there is classical music playing compared to any other genre. The classical music gives an air of high class, leading the person to make their wine choice accordingly.

The same phenomenon is found with art. There have been numerous cases where art critics acclaimed a piece of abstract art, believing the artist to be the next Jackson Pollock, until they found out it was drawn by a 2-year old child or an elephant.

In short, high class is a completely subjective term with absolutely no practical value – other than giving the person a false, pompous feeling of superiority. What matters in art is not whether it is “good” or not, but whether you enjoy it or not.

Posted in History & Literature

Three Graces

Posted on by Jinavie

Among the many gods and goddesses in Greek mythology, there is a trio of goddesses who are personifications of beauty, elegance and grace – Aglaia (brightness and splendour), Thalia (festivity and plentiful) and Euphrosyne (joyfulness). They are daughters of Zeus and Eurynome the nymph and are famous for their pure, graceful looks and representing the beauty in life. Also known as the Charities, they are often depicted in artworks as dancing merrily in a circle or tending to Aphrodite, the goddess of love and sex, and her son Eros. 

The Graces are known as young, virgin maidens who are often depicted as naked with clear, fair skin. They are beauty in the purest form with the absence of sexual lust (despite the nudity). Although they have no active role in mythologies, it is considered that their presence in any party or festival ensures people will have a joyous and fun time. Much like the Muses, the Three Graces are also connected to the arts, often shown with musical instruments. They are one of the most popular models in paintings and sculptures as they embody the concept of perfect beauty. This is why, like Aphrodite, they tend to be drawn with body proportions matching the Golden Ratio.
Interestingly, they are almost always arranged to have two facing forwards with the middle one facing the other way. 

(From top-left: Sandro Botticelli’s Primavera, Antonio Canova’s The Three Graces, Raphael’s The Three Graces, Greek sculpture of The Three Graces, Raphael’s Cupid and The Three Graces)

Posted in Philosophy

Perfection

Posted on by Jinavie

화룡점정 (Hwa Ryong Jum Jung) – 畵 그림 화 (painting). 龍 용 룡 (dragon). 點 점 찍을 점 (spot). 睛 눈동자 정 (pupil).

During the Liang Dynasty (modern day China), there lived a famous painter called Zhang Sengyao. It is said that he was such a skilled artist that his paintings were lifelike and almost like a photograph. 

One day, a monk asked him to paint a mural of dragons on the wall of his temple. Zhang accepted and proceeded to draw four dragons rising through black clouds. The fluid motion of the body, armour-like scales, the ferocious and vivacious look of the dragons… the sheer scale and detail of the painting astounded everyone who gazed upon the painting. However, people noted that none of the dragons had eyes drawn in.

When asked why, Zhang simply replied: “If I draw in the eyes, the dragon will immediately burst out of the wall and fly off.” No one believed him and laughed at such an insane comment. After constant pressure from the people to do it, Zhang reluctantly lifted his brush and plotted a single black dot where the eye was to be. 
Suddenly, lightning flashed and thunderclaps boomed out of the painting, from where a dragon emerged and proceeded to flash off into the sky. The people were speechless. The painting (minus the one dragon) still exists to this day.

To seek perfection is arrogance. This is a common mistake found in modern society, where people are too obsessed with becoming perfect and not see the beauty of imperfection.

Posted in Life & Happiness

Optimism

Posted on by Jinavie

Contemporary artists say to the public: “Art should make people think and feel some kind of emotion. Therefore, we make provocative art to invoke the negative emotions too.”
To them, I say: “Life is ugly enough to give you those emotions every day – what’s wrong with just looking at paintings that bring out some positive emotions?”

Parents say to their children: “Why can’t you get good grades like others? Why don’t you listen? Why can’t you do anything right?”
To them, I say: “We will all be insulted plenty throughout life, do you have to criticise us even more? Can’t you give us even a few words of encouragement, something society will never give?”

Religious people say to atheists: “How can you understand true happiness without God, faith or the belief that there is heaven after death?”
To them, I say: “Knowing that I will return to nothing after a short but content life rather than going to hell for even the smallest thing simply makes me ecstatic.”

Pessimists say to optimists: “What’s so great about life? Unless you are a fool, there is nothing worth being happy about.”
To them, I say: “And that is why I try to think more happy thoughts and be nice to others. Otherwise I would never make it through this rotten world. People all have enough going on in their lives – why bother making it more difficult when you can make it a little better at no added cost? The time we have is short, so what’s the point of only thinking negative, depressing thoughts? I would rather laugh like a fool, admire the little beauty left in the world and make other people’s lives a little happier before I go.”

Everything in the world depends on your perception, so why not think positively and live happily? No matter what, we can only live a certain time, no more, no less. The key to happiness is to enjoy appropriately, learn as much as possible and to love infinitely.

Posted in Life & Happiness

Dali Nap

Posted on by Jinavie

The famous surrealist artist Salvador Dalí had a strange habit. When he could not solve a problem or had difficulty coming up with an idea, he chose to nap. However, he did not nap “normally” to say – he used a unique method.

First, find a comfortable sofa or armchair, a spoon and a large plate or pan. Sit in a comfortable way, flip the plate over and place it on the ground, then hold the spoon directly above it with only your thumb and index finger. While thinking about the problem you want to solve, fall asleep.

As soon as you enter REM sleep, all of your muscles will relax and so the spoon will fall onto the plate, making a loud clatter. As soon as you get woken up by this, you will not only feel well rested, but also discover the solution or idea you were looking for.

Posted in Psychology & Medicine

Gaze

Posted on by Jinavie

A gaze is defined as “to look fixedly, intently, or deliberately at something”, but its true meaning is far deeper than that. In art and psychology, the “gaze” is described as a complex medium of communication between the subject and the object being gazed at. There are many theories as to what the gaze signifies.

A popular explanation is the exertion of dominance by the subject by gazing at an object. In essence, this act objectifies something, such as a painting or a person, placing it on an inferior level relative to the observer. This applies to the concept of the “medical gaze” – where the doctor can see the patient as just an anatomical body, or a holistic being with a soul – or the “male gaze”, which feminists claim to be the tendency for films to objectify women and play to the male audience, providing them with the power and dominance. In this case, the gaze acts as a projection of the viewer, placing himself as a dominant figure indirectly interacting with the female being gazed at in the movie. Although the male gaze itself is questionable, there is no doubt that people tend to project themselves into the characters in a movie through gaze.
This theory explains the uncanny feeling brought on by a gaze, as it gives the impression that you are being defined by someone’s gaze, whilst becoming dominated.

The gaze plays a vital role in the development of babies as they pass through what is called the “mirror stage”. This is when babies first conceive the idea of self, as they see an external image of themselves in the mirror. At this point, the baby’s gaze defines the external image (reflection) while the reflection’s gaze gives the baby an uncanny feeling of “self”.
The concept of the gaze has been well-known throughout history, and is reflected in myths such as the evil eye (that brings bad fortune to those being gazed at) or Medusa (the gorgon who petrifies those who make eye contact with her). Interestingly, the story of Narcissus shows the danger of gaze by misidentifying “self”.

Artists use this concept of gaze effectively by either letting the audience simply gaze at the picture, essentially letting it be defined only when being looked at, or invite the audience in a “conversation” with the painting. This can be achieved when characters in the painting are gazing at the audience, giving the illusion that they can actually see past the two-dimensional plane, gazing into the viewer’s eyes. This produces a strange feeling, while also giving the viewer a heightened appreciation for the painting as he/she feels at level with the painting. 
Furthermore, as the gaze is a two-way conversation, there are also examples of “setting oneself at gaze”. This means that they are exposing themselves to be gazed at, a common example being nude art. Of course, this ties into voyeurism and scopophilia, showing just how complex the meaning behind the word “gaze” can be.

Posted in History & Literature

Michelangelo’s Model

Posted on by Jinavie

There are few (intellectual) people who do not know the master artist of the Renaissance, Michelangelo. His works are well-known for powerfully expressing the beauty of the male body and the energy it contains. However, there is a secret that lies in many of his paintings.

The work that most obviously shows this is the famous ceiling of the Sistine Chapel. This giant painting features many characters from the Bible and Greek mythology, one of which includes the Sybils, or female prophets. In particular, the one called The Libyan Sybil shows a woman holding up the pages of a large book. However, on closer inspection it can be seen that she has a very muscular build and very large shoulders – features of the male anatomy. In fact, this feature is found in almost all of the Sybils and many other supposedly “female” characters.

The reason being, Michelangelo was a misogynist and admirer of the male form, thus he frequently (and almost exclusively) used male models for his paintings. For example, the model of The Libyan Sybil was one of his studio assistants. He believed that beauty of the human body peaked only in men, which combined with his talents for expressing vigour and energy in his art produced some of the most powerful, masculine paintings.

Of course, him being attracted to the nude male beauty both aesthetically and emotionally have given birth to many theories that he was a homosexual.

Posted in History & Literature

Monet’s Lilies

Posted on by Jinavie

Monet is the father of impressionism, a style of art that revolutionised the art world in the early 20th century. However, there is a fascinating secret hidden in some of his most famous works, his lilies.

Monet developed cataracts, which is a disease that causes the lens in the eye to become cloudier and cloudier. As it destroys the patient’s vision, it also affects their ability to perceive colour. This changed Monet’s paintings. He always loved painting lilies, but the lush, green lilies turned redder and hazier as his cataracts worsened.

People thought that Monet was intentionally blurring his paintings and using a bold new colour scheme, and impressionists even took after this new “technique”. Monet’s works skyrocketed in price and his fame climbed even more. However, in the 1920’s he received corrective surgery for his cataracts, and thus he could see much more clearly. He saw the red lilies he had painted, and feeling ashamed he destroyed all the red lily paintings in a fit of rage.
Luckily his friends and family saved some of his works so that we could admire the beauty of his red lilies.

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