If I was to put a yellow ball in front of you and ask what colour the ball is, you would confidently say “yellow”. As you say, the ball appears yellow, but the answer is technically wrong. Strictly speaking, the ball itself is not yellow – it is merely reflecting the colour yellow. The ball only appears yellow because we see the yellow part of the natural light spectrum bouncing off the ball. We cannot say that the essence of the ball is “yellow”. For example, if you were to look at the ball through a red lens, the yellow light would be filtered and you would see a black ball. A person with a certain kind of colour blindness would say the ball has a bluish hue. A butterfly, which sees the ultraviolet spectrum as well, would see a colour we cannot even name.
Human beings judge objects using the vision. We describe an object as we see it and store that information in our brain to define the object. For this purpose, the fact that a colour blind person or a butterfly sees the ball a different colour is irrelevant to us. All we need to know is that object appears yellow to us. But this is only the case for objects. Let us imagine the ball is a person. If everyone in the world sees you as a yellow ball, would that make you a yellow ball? Of course not. However, people worry too much about how others see them. Although other people’s perception does not change our true nature in the slightest, we even go as far as erasing or abandoning our nature to look good in front of another person. Thus, whether our essence is white, black, red, blue or technicolour, when others see us as yellow, we have a tendency to try desperately to become yellow.
If the world says you are a yellow ball, act crazy and be a red ball. There is not a single reason you should have to hide your true nature. Have confidence in your essence. There is nothing wrong with that.
Rock-paper-scissors is a fun game that is played by people of all ages and nationalities. But there is also a species of lizards that plays this game, albeit in a rather strange way.
Male common side-blotched lizards, also known as Uta stansburiana, have a mating strategy based on the game, where the chances of “winning” is equal and one type has an advantage over another type while being disadvantaged against another type. The males come in three types, differing in the colour of their necks: orange, blue and yellow.
Orange-throated males are the strongest but do not like to form a bond with the female (i.e. do not want a relationship). They can easily win over a fight against the blue-throated males to win the female, but yellow-throated males can sneak in and win over the female instead. Orange beats blue but loses against yellow.
Blue-throated males are middle-sized but do form strong bonds with females. They lose in a fight against orange-throated males, but can easily defend against yellow-throated males as they are always with their female. Blue beats yellow but loses against orange.
Yellow-throated males are smallest but can mimic females, letting them approach females near orange-throated males. They mate with the females while the orange-throated male is distracted, but this strategy does not work with blue-throated males as they have stronger bonds with the females. Yellow beats orange but loses against blue.
Interestingly, although the proportion of the three types average out to be similar over the long run (much like the probability of a person playing a certain hand), in the short term the preferred strategy tends to fluctuate. For example, orange-throated males may strive with their masculine strength for four or five years, but then the trend will slowly switch to yellow-throated males and their mimicking, female-stealing strategy. After another four or five years, blue-throated males will make a comeback as they win over females with their strong bonding.
Red, green, blue, white… There are many colours that we can see and there are even more different combinations of colours possible. It is common knowledge that some colours clash with each other while some synergise very well. A common example of a “good combination” is when you use complementary colours. Complementary colours are two colours that oppose each other on the colour wheel, creating an effect where they brighten each other. This makes it very eye-catching and attracts people’s attention. For example, blue and orange make a bright contrast making them a popular colour choice for movie posters. Red and green, and yellow and purple are also examples of complementary colours. Complementary colours are an important concept in art and design as it helps the product stand out.
Complementary colours have an interesting relationship with our sense of sight. If you stare at a colour for a while then quickly look at a blank, white surface, you will see an afterimage of the complementary colour. A good example is when you have your eyes closed under bright sunshine and upon opening your eyes the world seems a blue hue (the blood vessels in your eyelid make the light appear orange as it reaches your eyes). This is because the retinas try to negate the intense colour by downregulating the nervous signals corresponding to that colour, which makes the complementary colour stand out. Furthermore, the photoreceptors in the retina become fatigued after stimulation, causing a reduction in the signals sent for that colour.
Knowing about complementary colours is very useful when designing a sign or poster that easily attracts people.