Historically, silver has been associated with cleansing, healing, the moon and warding off evil. For example, it is said that some monsters such as werewolves would only die if it is shot by a silver bullet. The Greek goddess of hunting and the moon, Artemis, carries a silver bow. Although it is always seconded to gold when it comes to precious metals, silver is a fascinating metal.
It is the most reflective metal on Earth and has the highest conductivity for heat and electricity. It is ductile and malleable, making it a good choice of metal for making coins, jewellery and silverware (hence the name). Because of how reflective it is, it is also used in solar panels and special mirrors, such as those in telescopes.
Another useful characteristic of silver is its chemical reactivity. Thanks to this property, silver forms many different compounds with varying applications. Silver halides are photosensitive and turn dark when they are exposed to light. This is the basis of film photography, where the light shone on a film coated with silver halides leaves a photographic imprint. Silver oxides are sometimes used in batteries and silver/mercury alloys are used for dental fillings.
Silver also plays a role in medicine. Silver ions have been shown to inactivate bacteria such as E. coli, making silver nanoparticles a useful antiseptic that can be impregnated into different materials such as wound dressings. Silver nitrate sticks are used in emergency departments as applying it to a bleeding vessel in the nose will release nitric acid, which cauterises (burns off) the vessel to stop a nosebleed. In medieval Korea, silver spoons were used to test if a food has been poisoned with arsenic, as arsenic reacts with silver to form a black tarnish. If a person has too much silver build-up in their body, they can develop argyria (silver poisoning), which turns the skin an eerie bluish-grey colour.
Mirrors are perhaps one of the most useful yet underrated inventions that we use every day. From shaving in the morning to fixing make-up during lunch, the modern man or woman will use a mirror (or some other reflective surface) at least once a day. Mirrors show us an accurate reflection of the world that we cannot see. We can only look forwards and need a mirror to reflect light going the opposite way to see behind us or – more importantly – ourselves. To do this, a mirror must directly reflect every photon (particles that make up light) at exactly the right angle so the image is not distorted. If the mirror is not completely flat or perfectly polished, light will not be reflected at the exact angle and we will see a distorted image – much like looking into a mirror at the circus. Therefore, one could say that a perfectly flat, clean mirror is absolutely honest, as it will reflect exactly as it sees.
However, this statement is not entirely true as what you see in the mirror is a mirror image of reality. This may seem trivial, but it has significant consequences. This is most obvious when you hold a book up to a mirror. Without training, it is very difficult to read something that is mirrored. This is why Leonardo da Vinci wrote his notes in mirror image. This phenomenon of something becoming completely different is also seen in chemistry. Because of the way molecules are arranged, it is possible to have a property called chirality – where two molecules with the same elemental composition are built in the mirror image of one another. Essentially, it is as if the molecule can be either left- or right-handed. It turns out that even if the composition is the same, two molecules of different chirality (called enantiomers) can act completely differently. This effect may be as simple as changing the way a liquid polarises light to making a drug completely inert or even toxic. For example, the amino acid carvone that gives the spearmint taste only tastes like spearmint if it is L-carvone (“left-handed”), whereas D-carvone (“right-handed”) is tasteless despite having the same molecular formula.
Since the topic of chirality is rather technical and hard to understand, let us move on to the field of literature. One of the best examples of how mirrors can completely change something is seen in Lewis Carroll’s novel Through the Looking-Glass and What Alice Found There. Lewis Carroll understood the significance of mirror images in chemistry and wrote this novel to portray how quirky and strange a “mirror world” may be. Through the Looking Glass is a sequel to the famous book Alice in Wonderland and describes a world that is the mirror image of Wonderland. Carroll cleverly wrote the first book so that it would be the opposite of the first book. The first book starts outdoors, is set in the summer, uses changes in size as a plot device and focuses on the theme of trump cards. The second book starts indoors, is set in the winter, uses changes in direction as a plot device and draws on the theme of chess. There are even characters such as Hatta and Haigha who are the mirror images of the Mad Hatter and the March Hare from the previous book. Although they are very similar, they are just not the same and hence Alice does not recognise them. Perhaps the line that best shows Carroll’s understanding of the dangers of mirror worlds is this: “Perhaps Looking-glass milk isn’t good to drink”.
The field of psychology is also heavily interested in mirrors. It is a well-known fact that our brains recognise the purpose of mirrors. If you put a mirror in front of someone, you know that the person will examine themselves, groom themselves or simply make funny poses. A simple experiment shows how used to mirrors we are. If you angle two mirrors at right angles and fit a transparent sheet of glass in front of the two to make a prism shape, the image you see through the glass is a reflection that is not mirrored. Because it is not mirrored, you can hold up a book to it and still read it fine. This is known as a non-reflecting mirror. An interesting experiment shows that if you make people use this kind of mirror, they become incredibly confused as they are too used to using a mirror image to see themselves. Even though the reflection they see is a “truer” image, because their brain automatically flips the mirrored image, they become uncoordinated and keep moving their hands in the opposite direction.
As mentioned at the start, mirrors are a human invention. Although reflection occurs in nature, such as on a clear surface of water, animals generally are incapable of using mirrors. This is such a universal fact that animal psychologists use a mirror test to determine whether a specie of animal is self-aware or not. The test is done by showing an animal a mirror. Most animals will see their reflection and automatically believe that it is another animal, as they are incapable of thinking that it is a reflection of themselves. Hence, they will try to threaten, attack or flee from the image they see. But if you show a higher-order animal such as an ape or dolphin a mirror, they will start to groom themselves as they realize that the mirror is simply showing themselves.
This is what sets us apart from animals. Not only are we capable of recognizing ourselves in a mirror, but we have the ability to go one step further and reflect on ourselves using the mirror of our minds. Some people may take a look at the person in this mirror and be content with who they are. But some will gaze into the mirror and, much like the animals in the mirror test experiments, see a completely different person they do not recognise. This may cause disappointment, frustration or even disgust as we realize that we are not who we think we are or aspire to be. Then again, sometimes you will gaze into the mirror and see a person that has strengths such as courage – a person you could be if you realized your true potential. The most frightening realisation would be to discover that there is no one in the mirror.
Lastly, we could consider the mirror of behaviour. Goethe said that “behaviour is a mirror in which everyone displays his own image”. The corollary to this is that human beings read behaviour to try and interpret another person’s character. One can use this to greatly improve the relationship and connection with another person. Mirroring is the act of subtly copying the other person’s behaviour to build rapport– where an empathic bridge is constructed between two people. Rapport is particularly useful in jobs that involve earning the trust of strangers in a short time, such as in healthcare or business. By matching the other person’s body language, such as posture or actions like taking a sip of water, the other person will open up more easily to you. The same applies to verbal and emotional mirroring where you subtly reuse the words the other person spoke and reflect their emotions such as excitement. Obviously, one must be subtle with mirroring as a direct imitation will appear mocking and strange. If you are able to subtly copy their behaviour, the other person’s subconscious mind will be tricked into thinking that you are similar in character and trust you more. This skill is extremely useful in improving your interpersonal and social skills.
A mirror is a paradoxical object that is absolutely honest yet relatively deceitful. Reflections in the mirror are true yet completely different. If you take a peek into the mirror of your mind, perhaps you will see the person you think you are now or the person you could be in a mirror world. If you are happy with what you see, then cherish that and be proud of who you are. Otherwise, you can always do what Alice did and jump through the looking-glass to find an alternate you – the best you that you can be.
In up to 80% cases of amputations, a strange phenomenon occurs where the amputee reports sensation or even severe pain where the limb has been amputated. It was noticed in field hospitals during wars when a soldier would wake up and ask someone to scratch his leg – which was no longer attached to his body. The sensation can be so powerful that victims actively believe that their phantom limb can interact with real objects. For example, there have been case reports of patients trying to pick up a cup with an amputated arm and becoming frustrated with their inability to.
Phantom limb pain may persist even after the amputee realises the limb is no longer there. The basis for phantom limb pain is a neurological system called the cortical homunculus. The cortical homunculus is a concept that the part of the brain responsible for sensation and movement is mapped out so that each part corresponds to a part of the body (see picture). For example, the top of the primary somatosensory and motor cortices (said parts of the brain) is responsible for foot sensation and movement while the side receives information from and sends signals to the face. It lets the brain construct an image of what the body looks like from sensory information it collates from various body parts. It is suggested that phantom limb pain is caused by a remapping of the cortical homunculus, fooling the brain to think that the limb is there even if it has been physically cut off. This also explains a similar condition called supernumerary phantom limb, where the brain believes there is an extra limb (e.g. a third arm).
As the homunculus concept is a recent idea, treatment options had not advanced much until the late 1990s. In 1998, a neuroscientist called Dr. Vilayanur S. Ramachandran devised a method called the mirror box treatment. He noticed that victims of phantom limb pain (PLP) had paralysis or pain in the limb just before the amputation (such as tightly gripping something before the arm got blown up by a mine), suggesting that PLP may be a form of learned paralysis. This means that the brain believes that the arm is still paralysed and any movement causes an uncomfortable sensation as the brain thinks the limb is contorted into a painful position. To fix this problem, Dr. Ramachandran invented a box with two holes, each going into a separate compartment. One compartment is for the good arm while the other has a mirror positioned on an angle to reflect the other arm (instead of seeing the stub they put in the hole). He would then instruct the patient to perform symmetric movements with both hands while looking at the reflected arm. For example, he would tell the patient to squeeze their “fists” tightly as possible and then let go. Through this procedure, the brain is retrained to let go of the perceived paralysis and pain as it is tricked in to thinking that the arm is healthy again. The mirror box therapy drastically improved the outcome and quality of life of PLP patients through the power of illusions.
A gaze is defined as “to look fixedly, intently, or deliberately at something”, but its true meaning is far deeper than that. In art and psychology, the “gaze” is described as a complex medium of communication between the subject and the object being gazed at. There are many theories as to what the gaze signifies.
A popular explanation is the exertion of dominance by the subject by gazing at an object. In essence, this act objectifies something, such as a painting or a person, placing it on an inferior level relative to the observer. This applies to the concept of the “medical gaze” – where the doctor can see the patient as just an anatomical body, or a holistic being with a soul – or the “male gaze”, which feminists claim to be the tendency for films to objectify women and play to the male audience, providing them with the power and dominance. In this case, the gaze acts as a projection of the viewer, placing himself as a dominant figure indirectly interacting with the female being gazed at in the movie. Although the male gaze itself is questionable, there is no doubt that people tend to project themselves into the characters in a movie through gaze. This theory explains the uncanny feeling brought on by a gaze, as it gives the impression that you are being defined by someone’s gaze, whilst becoming dominated.
The gaze plays a vital role in the development of babies as they pass through what is called the “mirror stage”. This is when babies first conceive the idea of self, as they see an external image of themselves in the mirror. At this point, the baby’s gaze defines the external image (reflection) while the reflection’s gaze gives the baby an uncanny feeling of “self”. The concept of the gaze has been well-known throughout history, and is reflected in myths such as the evil eye (that brings bad fortune to those being gazed at) or Medusa (the gorgon who petrifies those who make eye contact with her). Interestingly, the story of Narcissus shows the danger of gaze by misidentifying “self”.
Artists use this concept of gaze effectively by either letting the audience simply gaze at the picture, essentially letting it be defined only when being looked at, or invite the audience in a “conversation” with the painting. This can be achieved when characters in the painting are gazing at the audience, giving the illusion that they can actually see past the two-dimensional plane, gazing into the viewer’s eyes. This produces a strange feeling, while also giving the viewer a heightened appreciation for the painting as he/she feels at level with the painting. Furthermore, as the gaze is a two-way conversation, there are also examples of “setting oneself at gaze”. This means that they are exposing themselves to be gazed at, a common example being nude art. Of course, this ties into voyeurism and scopophilia, showing just how complex the meaning behind the word “gaze” can be.