Posted in Psychology & Medicine

Watching You

What drives our morality? Philosophers have argued and pondered for millennia where our sense of selflessness, altruism and honesty come from. Are we inherently good or evil? Do we only help others when it benefits us? How can we motivate people to act more morally?

One interesting research reveals a startling truth about our morality.

In 2006, psychologist Melissa Bateson published a research where she experimented with eyes. Their university tea room had an honour-based coffee and tea system, where you pay the price of the beverage into a box. Because there was no one keeping guard over the box, you could choose to cheat the system by taking a free drink without paying. Bateson wanted to see if she could influence how often people paid by making a simple alteration to the notice banner.

The notice banner had the prices for tea, coffee and milk. Bateson decided to add an image above the prices: a pair of eyes, or flowers. She would alternate the image used week by week, then recorded the total earnings and the number of drinks purchased. She would use different flowers and different eyes from various genders, ethnicities and expressions, but the eyes all had something in common: they stared directly at you.

The results were fascinating: on weeks where the notice banner included pictures of eyes, people paid 2.76 times as much compared to the flower weeks.

Turns out, seeing a depiction of eyes makes us more honest and cheat less. The same effect has been seen when using cartoons or drawings of eyes, resulting in less littering, more donations, less crime and overall more pro-social behaviours. This is called the watching-eye effect.

Why do harmless pictures of eyes make us want to do good?

The effect is likely to be an unconscious, automatic reaction. Our brains are remarkably sensitive to eyes and gaze – which is why we can easily spot people staring at us and why we are so good at reading emotions from eyes.

Furthermore, we are social animals and thus have evolved to show pro-social behaviours so that we fit into the group and live together harmoniously.

This means that when we see even a symbol of an eye, our brain automatically thinks that we are being watched by someone, pushing us to act morally to avoid punishment or embarrassment. This suggests that our desire to preserve our social reputation plays a significant role in our morality (but by no means the only factor).

The other thing to consider is that as we grow up, we are continuously taught that we are being watched, to dissuade us from bad behaviour. God will send you to hell, Santa Claus will put you on the naughty list and Big Brother will send you to prison. All of these stories and cultural beliefs fuel our subconscious paranoia of being watched and fear of consequences.

So if your lunch keeps getting stolen from the fridge, try sending a message by putting a photo of eyes on it to see if it deters your coworkers.

Posted in Psychology & Medicine

Gaze

A gaze is defined as “to look fixedly, intently, or deliberately at something”, but its true meaning is far deeper than that. In art and psychology, the “gaze” is described as a complex medium of communication between the subject and the object being gazed at. There are many theories as to what the gaze signifies.

A popular explanation is the exertion of dominance by the subject by gazing at an object. In essence, this act objectifies something, such as a painting or a person, placing it on an inferior level relative to the observer. This applies to the concept of the “medical gaze” – where the doctor can see the patient as just an anatomical body, or a holistic being with a soul – or the “male gaze”, which feminists claim to be the tendency for films to objectify women and play to the male audience, providing them with the power and dominance. In this case, the gaze acts as a projection of the viewer, placing himself as a dominant figure indirectly interacting with the female being gazed at in the movie. Although the male gaze itself is questionable, there is no doubt that people tend to project themselves into the characters in a movie through gaze.
This theory explains the uncanny feeling brought on by a gaze, as it gives the impression that you are being defined by someone’s gaze, whilst becoming dominated.

The gaze plays a vital role in the development of babies as they pass through what is called the “mirror stage”. This is when babies first conceive the idea of self, as they see an external image of themselves in the mirror. At this point, the baby’s gaze defines the external image (reflection) while the reflection’s gaze gives the baby an uncanny feeling of “self”.
The concept of the gaze has been well-known throughout history, and is reflected in myths such as the evil eye (that brings bad fortune to those being gazed at) or Medusa (the gorgon who petrifies those who make eye contact with her). Interestingly, the story of Narcissus shows the danger of gaze by misidentifying “self”.

Artists use this concept of gaze effectively by either letting the audience simply gaze at the picture, essentially letting it be defined only when being looked at, or invite the audience in a “conversation” with the painting. This can be achieved when characters in the painting are gazing at the audience, giving the illusion that they can actually see past the two-dimensional plane, gazing into the viewer’s eyes. This produces a strange feeling, while also giving the viewer a heightened appreciation for the painting as he/she feels at level with the painting. 
Furthermore, as the gaze is a two-way conversation, there are also examples of “setting oneself at gaze”. This means that they are exposing themselves to be gazed at, a common example being nude art. Of course, this ties into voyeurism and scopophilia, showing just how complex the meaning behind the word “gaze” can be.