Posted in History & Literature

Bechdel-Wallace Test

What makes you want to watch a movie? There are various factors to consider: how original the idea is, pacing of plot, quality of acting, emotional engagement, suitable score… Out of all of these factors, one of the most interesting is the Bechdel-Wallace test.

In 1985, cartoonist Alison Bechdel wrote a comic strip called Dykes To Watch Out For, where one of her characters states that she only goes to see movies that satisfy three conditions.

  1. First, the film must have at least two women in it. Modern adaptations of the rule state that these women must be named characters.
  2. Second, the women must have a conversation with each other at some point in the film.
  3. Lastly, they must talk about something other than a man.

It is quite easy to pass this test. Even a simple conversation between two women, such as about the food they are eating or what happened at work count. As simple as it sounds, the test is surprisingly powerful. 

Upon review of all movies listed in major databases, it has been shown that only 50 to 70% of all movies pass the Bechdel-Wallace test. The most common reason is the lack of any conversation between two named women characters. This suggests that a large proportion of female characters are put in the movie as a romantic interest or support character for the male, or they are the “token woman”, such as a sole female soldier in a special forces unit.

The Bechdel-Wallace test initially started as a joke in a comic strip, but it highlights the depressing fact of how poorly women are represented in films. There is a strong tendency for women to be portrayed only as a damsel in distress, a love interest for the (male) protagonist or someone who helps the (male) protagonist develop their character, such as their mother. This may be an extension of the fact that the overwhelming majority of directors, producers and screenwriters are men – a gender gap commonly known as the “celluloid ceiling”.

The scariest part is that many movies only passed the test because of a single, short scene where two women have an extremely trivial conversation. It is almost as if those scenes are inserted by moviemakers to tick a box saying that they are not sexist.

The test has many flaws due to its simplicity. For example, it does not account for movies with very few characters, such as those focussed around a female protagonist who does not interact with many other people, or movies focussed purely on one woman and one man conversing with each other. 

Nonetheless, it sends a powerful message regarding the rampant inequality women have to face in day-to-day life.

Posted in Psychology & Medicine

Pink

Normally, babies are dressed in blue for boys and pink for girls to differentiate their sex. Even in adult societies, the colour pink is associated with women. As some women have a particular fondness for the colour, the stereotype deepens. Why is femininity related to the colour pink?

The easiest explanation is that it is simply a social construct. In other words, as society says “pink is a girl’s colour”, the stereotype is set. Although this may seem like a simple answer, it shows the power of the majority’s opinion and stereotypes. As evidence to this theory, one can consider the following excerpt. It is taken from an American magazine from 1918:

“The generally accepted rule is pink for the boys, and blue for the girls. The reason is that pink, being a more decided and stronger colour, is more suitable for the boy, while blue, which is more delicate and dainty, is prettier for the girl”.

As you can see, in the past the opposite was the social norm where pink was a boy’s colour. This shows that pink and women have no direct links. This norm was flipped around the 1940’s and pink is still the symbol for femininity.

There is also some scientific data attempting to explain the phenomenon. One study proposed that as prehistoric humans had gender roles where the men hunted and the women gathered, women evolved to seek out red berries, which are ripe and delicious. Thus, they still have a soft spot for pink things. Also, as one can see from cheek blush and red lipstick being common make-ups, women like to accentuate a flush on the face. Pink cheeks and red lips signify that they are healthy and ready for reproduction, causing men to find the colour attractive. Pink clothes further enhance this effect to make the woman look more attractive. A similar technique is used by monkeys (especially baboons) where the female’s backside turns pink or red to alert the males that she is ready to mate.

Posted in History & Literature

Chivalry

Chivalry was a concept developed in medieval times and is defined as the noble qualities a knight was supposed to have, such as courage and a readiness to help the weak. It is characterised by the traits of gallantry, courtesy and honour. Nowadays, the concept of chivalry is largely confined to the mannerisms a gentleman should treat his lady with.

The following is a list of some gentlemanly acts any man should follow to pay due respect to their women:

  • Open doors and pull out chairs.
  • Be punctual, polite, keep calm and collected.
  • Put your coat or jacket around her on a cold day.
  • Be helpful, such as helping fix things and lifting heavy objects.
  • Cover her with your umbrella even if it means you get wetter.
  • Walk on the outside of the sidewalk. (This is derived from the tradition of Victorian England when people would throw excrements out the windows – the male would be more likely to be hit and thus carried an umbrella at all times)
  • Do not be thrift and know how to pay bills discreetly.
  • When conversing, listen to what she says and be attentive.
  • Be romantic, treat her with flowers, gifts and surprises.
  • Compliment her and accept her for the person she is.
  • Never make meaningless promises or go against your word.
  • Respect her.

Although most of this list is part of general etiquette, it is indubitably a crucial part in courting. In fact, as author John Bridges said, being a gentleman requires “a little logic, a bit of forethought and a great deal of consideration for others”. 

However, one cannot help wonder how long chivalry can last in this modern world. As chivalry was based on the idea that the strong should help and protect the weak, it essentially implies that women are weaker and in need of protection by the man. Ideologically speaking, this goes against the arguments of some feminists. Does this mean that those women do not expect chivalry from males?

Regardless, a true gentleman must act chivalrously and treat ladies with proper etiquette if they expect to be respected and loved in return.

Posted in Science & Nature

Praying Mantis

The praying mantis is sometimes considered a symbol of ultimate female empowerment. After mating, it has been observed that the female would immediately proceed to kill the male she just mated with and eat his corpse, head first.
However, one thing that is less known is that this act – known as sexual cannibalism – occurs almost exclusively in captivity. This is because in the wild, a male runs off quickly after mating to avoid a grim fate. The female, with a massive appetite after the tiring act of copulation, looks for a source of nutrients to upkeep her pregnancy. As in a captive environment the male cannot run far and the female cannot hunt easily, she opts to eat the male as this is more beneficial for her. Furthermore, as mantises have very sharp vision, it is highly likely that the observing scientists (giant, towering figures dressed in white) will intimidate the female mantis. The anxiety caused by the observation would thus make the female act more violently.

The theory that lab intervention caused sexual cannibalism was proven when mantises stopped cannibalising after being fed ad libitum (until they were full). In fact, the female would carefully observe the courtship dance of the male and decide whether he is worthy of mating. This courtship dance also has the effect of switching the female’s priorities from feeding to mating.

It has also been suggested that females may choose to eat the males they do not deem worthy (before mating), or that the males are sacrificing themselves to improve the chance of fertilisation. This is supported by evidence of decapitated male mantises copulating more vigorously and mounting the female for much longer periods. 

In other words, male submissiveness can be a factor in reproductive success.

Posted in Psychology & Medicine

Gaze

A gaze is defined as “to look fixedly, intently, or deliberately at something”, but its true meaning is far deeper than that. In art and psychology, the “gaze” is described as a complex medium of communication between the subject and the object being gazed at. There are many theories as to what the gaze signifies.

A popular explanation is the exertion of dominance by the subject by gazing at an object. In essence, this act objectifies something, such as a painting or a person, placing it on an inferior level relative to the observer. This applies to the concept of the “medical gaze” – where the doctor can see the patient as just an anatomical body, or a holistic being with a soul – or the “male gaze”, which feminists claim to be the tendency for films to objectify women and play to the male audience, providing them with the power and dominance. In this case, the gaze acts as a projection of the viewer, placing himself as a dominant figure indirectly interacting with the female being gazed at in the movie. Although the male gaze itself is questionable, there is no doubt that people tend to project themselves into the characters in a movie through gaze.
This theory explains the uncanny feeling brought on by a gaze, as it gives the impression that you are being defined by someone’s gaze, whilst becoming dominated.

The gaze plays a vital role in the development of babies as they pass through what is called the “mirror stage”. This is when babies first conceive the idea of self, as they see an external image of themselves in the mirror. At this point, the baby’s gaze defines the external image (reflection) while the reflection’s gaze gives the baby an uncanny feeling of “self”.
The concept of the gaze has been well-known throughout history, and is reflected in myths such as the evil eye (that brings bad fortune to those being gazed at) or Medusa (the gorgon who petrifies those who make eye contact with her). Interestingly, the story of Narcissus shows the danger of gaze by misidentifying “self”.

Artists use this concept of gaze effectively by either letting the audience simply gaze at the picture, essentially letting it be defined only when being looked at, or invite the audience in a “conversation” with the painting. This can be achieved when characters in the painting are gazing at the audience, giving the illusion that they can actually see past the two-dimensional plane, gazing into the viewer’s eyes. This produces a strange feeling, while also giving the viewer a heightened appreciation for the painting as he/she feels at level with the painting. 
Furthermore, as the gaze is a two-way conversation, there are also examples of “setting oneself at gaze”. This means that they are exposing themselves to be gazed at, a common example being nude art. Of course, this ties into voyeurism and scopophilia, showing just how complex the meaning behind the word “gaze” can be.