Posted in Life & Happiness

How To Read A Book

Books are one of the greatest inventions in human history and is considered a “complete” invention, in that it cannot really be improved on any further. Books provide us with knowledge, stories, advice and wonder. The Laurentian Library in Florence, designed by Michelangelo, symbolises this by having a dark entrance lead in to a bright, Pantheon-like library to suggest that books are the key to enlightenment.

Why do we read? Non-fiction books are normally clear in their purpose: they provide objective (for the most part) knowledge in various fields, ranging from history to science. But what about fiction? How can reading fiction enrich our lives, when it is the product of imagination?

When we are in school, we are taught how to critically read fiction. We scrutinise a piece of literature so that we can decipher the motives of the characters, understand symbolism and uncover the hidden social criticism that the author may have intended to portray. We learn to analyse a book, rather than to enjoy it.

But this is not the intention of the author. Unlike non-fiction books that attempt to provide answers, most fiction books don’t try to hide some truth or a deep, meaningful answer. Instead, they are meant to be a journey

A journey is different from a quest in that there is no specific goal or a mission. All you have to do is wander around, take in the sights, feel emotions that arise in response and expand your inner horizons through reflection. You may even learn something new, whether it is a historical fact, an observation about people, or more about yourself. The point is, there is no “right way” to read fiction; you can enjoy it however you want, without any expectation or judgement.

A writer does not hope for their book to teach one answer to every reader. Everyone has different world views, past experiences and values, so they react to a given situation in variable ways. You could recommend a book that you love to a friend, but they may experience the book in a completely different way. They may not even enjoy it. But that is okay, because the purpose of fiction is not so that it can be enjoyed in one, formulaic way. It is meant to teach us how different we all are.

A good work of fiction tells the story of how an individual or a group of people navigate through a specific scenario or life in general. We get to peer into their thoughts and emotions, while wondering how we would act if we were in their shoes. It teaches us empathy by showing us that people think and act differently to us. We can learn from the characters’ developments how we can tackle our own life problems or worries. It provides a safe environment for us to explore our inner psyche, our insecurities and traumas.

Lastly, remember that just because you travelled to a place once, it does not mean that you know the place. You might have only looked at the key sights and missed how the locals live, or maybe you were not even aware that a certain area existed. Much like this, what you take away from reading a book can be quite variable. The more you immerse yourself, connect with the characters and reflect on the book, the more it will add to your life. You might also find that the second time you read the book, your experience is very different because you have matured or have new problems to deal with.

Now, think of a book that you loved reading. What made the experience so enjoyable? What thoughts or feelings did the book inspire? How did it add to your life?

Posted in History & Literature

Bowdlerisation

Thomas Bowdler was a physician who lived in the 18th century. He had fond memories of childhood when his father would read him works by Shakespeare. He only realised as an adult that his father had omitted or changed certain parts of stories to make it more “family friendly”. Inspired by this, he created the The Family Shakespeare – an edited version of Shakespeare’s greatest works made appropriate for even children to read.

Examples of changes made include changing exclamations that may be seen as blasphemous, such as “God”, into “heavens”. One interesting example is that the scene in Hamlet where Ophelia dies is portrayed as an accidental drowning, whereas the original alludes to her intending suicide. Some changes were even more dramatic, such as the complete cutting of story arcs involving a prostitute in Henry IV.

Since then, the act of editing something to make it more “appropriate” for a wider audience has been known as bowdlerisation. Although many may see bowdlerising as political correctness, Bowdler’s intentions were to make great works of literature such as Shakespeare more accessible to a broader audience, such as to children.

Posted in Simple Pleasures of Life

Simple Pleasures of Life #6

Re-reading comics you loved as a child, loving and appreciating them even more now. 

So I recently acquired The Complete Calvin and Hobbes set!!! It’s made of three beautiful hardcover books that contain ALL the Calvin and Hobbes strips that have been drawn~ 😀 Extremely ecstatic at the moment because Calvin and Hobbes is one of my favourite comics ever (seconded only by Peanuts) hehe. It has content ranging from hilariously innocent to deeply philosophical and thought-provoking. There’s so much stuff that I wouldn’t have gotten or appreciated as a kid, but make for very good life advice now that I’m more grown up. Here’s an example:

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I’m gonna marathon the whole thing from start to finish, hopefully not taking up too much study time haha. But a few pages in between study sessions won’t be harmful 🙂

Pure bliss~

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Posted in Science & Nature

Cryptography: Book Cipher

So far, the three ciphers introduced could all easily be cracked using frequency analysis and the Kasiski examination. Is there a cipher that is easy to implement yet difficult to break for a beginner cryptanalyst? An extremely popular and surprisingly powerful cipher is the book cipher. Essentially, the book cipher replaces a keyword with an entire book. Instead of replacing a letter for a letter or symbol in a systematic and mathematical way (such as a set shift number or using a tabula recta), the book cipher replaces letters for numbers that refer to a certain text within a book. As the only way to decode the message is to have the book, it is an extremely secure way of enciphering a message given that both parties have an identical copy of the book.

There are many variations of the book cipher. The most popular type is giving a page number, with the first letter of the page being the plaintext. A variant of this is giving a set of three numbers for every letter: the page number, the line number and the word number (or just two: page and line, then take the first letter). Ironically, this may be less secure at times as it may reveal that it is a book cipher. However, doing this for each letter makes the enciphering and deciphering process incredibly long and arduous.

A shortcut method is to refer to a word within a page (using the three-number set coordinates method described above) to shorten the ciphertext. Although this method is much easier in practice, it poses the challenge of finding a book that includes all the words in the plaintext, which may be difficult if the code is for military or espionage purposes.

Because of this, and the fact that both parties (or everyone in the ring) need identical versions of the book while not standing out too much, the most common books used are the dictionary (typically a famous version such as the Oxford Dictionary) or the bible (again, a standard version is used). These books are not only good because they incorporate a massive vocabulary, but they are also inconspicuous while being carried around in an enemy territory.

The book cipher is a very difficult code to crack for most people without advanced cryptanalysis training. Thus, the easiest way to crack is to deduce what book is the keytext. There are numerous ways to do this, but one way would be to cross-match the books of two known spies until common books are found. In the setting of spies in a foreign country, a book such as a traveller’s guide or phrasebook dictionary can be considered a likely target as it can be carried around easily while containing many words. Ergo, the secret behind cracking the book cipher is less about cryptography and more about using the science of deduction.

Posted in History & Literature

Printing

Most Westerners are familiar with Johannes Gutenberg, who invented the printing press in 1450 which allowed the mass-production of books, namely the bible. In fact, the printing press is thought of as one of the crucial factors that triggered the Renaissance in Europe.
However, what most people do not know is that the movable type – a printing machine where individual letters can be rearranged and reused – was invented in Korea during the Goryeo Dynasty two centuries before Gutenberg.

Before the movable type, Buddhist monks would carve out wooden blocks so that they could copy out religious texts with ease. But as this involved the monks having to carve out the entire text (often very long), it was extremely labour-intensive and everyone sought an easier method of mass-producing texts. The concept of the movable type was experimented with throughout the centuries, but it was found that woodblocks would wear out too fast. Although metal was the obvious choice, the technology was not developed enough to produce the fine letters.

In 1234, a Korean man called Choe Yun-ui finally devised the technology to invent the first metal movable type in the world. The process was very complicated, involving the making of durable clay moulds to hold the molten metal without breaking.
This was revolutionary as it meant that texts could easily be printed as all the printers had to do was rearrange pre-made letters in order rather than laboriously carving each one out. Metal movable types are also extremely durable and give a very clean print, unlike the wooden counterpart that tends to wear out or smudge. The metal movable type allowed for the mass-production of books which greatly boosted Goryeo’s culture and education within the poorer classes.

Korea was the leading innovator in the printing industry throughout history, with the earliest woodblock prints dating back to 751. The motivation to develop this technology was partly thanks to Buddhism. To ensure that Buddha’s teachings could be spread far and wide, Buddhist monks worked day and night to produce these texts. This was a critical job during the 13th century when the Mongol Empire was rampaging through the whole of Eurasia. As military force was insufficient to repel the invaders, the people turned to spirituality for power. Furthermore, due to the destructive nature of the Mongols, it was crucial to replace damaged texts to ensure that precious cultural heritages would not be destroyed. This was the main motivation for the creation of the metal movable type and to this day we can see the evidence of the state-of-the-art printing device in books from the 13th and 14th century.

One limitation still remained with the movable type – Chinese characters. At the time, Korea still used Chinese characters to record the Korean language (similar to how Chinese characters can be transcribed in pinyin form). As there are literally tens of thousands of characters, a massive amount of individual types had to be produced.
This problem was solved by King Sejong the Great of the Joseon Dynasty, who invented Hangul – the Korean alphabet. Hangul only contains 24 letters and is extremely logical in its construction, ergo it was a perfect system for recording language. It also meant that much less individual types were needed, making the printing process even more efficient.

Although the 20th and 21st century saw the Western Hemisphere leading science and technology innovations, it is important to remember that the East dominated the field for millennia before.