blue

Blue Rose

Posted on 22/02/202022/02/2020 by Jinavie

One of the holy grails of horticulture is the blue rose. A variety of rose colours have been cultivated using various techniques such as hybridisation, ranging from the classic deep red to bright yellow, to even a mix of colours. However, there has never been a successful case of breeding blue roses.

This is why blue roses have become synonymous with the longing for attaining the impossible. It was a symbol of the Romanticism movement, representing the desire and striving for the infinite and unreachable; a dream that cannot be realised. The flower meaning for the blue rose is secret, unattainable love.

The reason why blue roses are impossible to produce naturally is that they do not have the gene for the protein that makes a blue hue. The biochemistry of flower colours is complex, but essentially, the blue colour seen in flowers such as pansies and butterfly peas is produced by the chemical delphinidin. Roses lack this pigment and only contain pigments that produce red and orange colours.

Because blue roses have always been deemed impossible, florists have had to resort to using blue dye on white roses to produce artificial blue roses. But this all changed with the introduction of genetic modification technology.

In 2005, scientists reported that they created the first true “blue rose”, by genetically engineering a white rose to produce delphinidin and using RNA interference to shut down all other colour production. However, the results were disappointing and the so-called “blue rose” turned out to be more of a mauve or lavender colour, due to the blue having a red tinge.

This is because rose petals are more acidic than true blue flowers such as pansies. Delphinidin is degraded by acid, meaning that you cannot produce the deep blue found in pansies in roses without finding a way to reduce the acidity. This chemical phenomenon can also be seen in hydrangeas, where the red and pink petals turn blue and violet when you acidify the soil that it is growing in.

Although we now harness powerful tools to modify nature in ways deemed impossible in the past, nature still proves to be tricky and elusive.

History & Literature

Evolution Of Colour

Posted on 07/03/201507/09/2020 by Jinavie

We often take the beauty of colour for granted. How would you explain the colour red to a blind person? With that in mind, how do we know that the colour we see with our own eyes is the same hue that others see? A scholar by the name of William Gladstone came across a similar question in 1858 while studying ancient Greek literature. He noticed that in most literature of ancient times, the description of colour was wildly inconsistent, such as the sea being described as “wine-dark”, the sky being “copper-coloured” and other oddities such as violet sheep and green honey. After further analysis, Gladstone found that white and black were referenced frequently, while other colours were much rarer, with red, yellow and green being the most common colours respectively.

Another scholar named Lazarus Geiger expanded on Gladstone’s research and found that throughout ancient literature – including the Bible, Hindu poems, ancient Chinese stories and Norse tales – described beautiful scenes while omitting a certain detail: a blue sky. It appeared that the colour “blue” did not appear in most languages until a certain point in time, despite the people having lived under the same blue sky that we do now.

Geiger tracked the appearance of different colours in different languages and found a pattern of development. Each language would typically describe white (light) and black (dark) first. The next colour to develop was red, then yellow and green, with blue being one of the last colours to appear. This is likely related to the abundance of each colour (e.g. blood, dirt, vegetation) and the ease of making coloured dye (blue dye is notoriously difficult to make).

This raises an interesting question: if the ancient Greeks did not have a word for the colour blue, could they still perceive the colour blue? Biologically speaking, our eyes are not so different to that of the ancient Greeks. But of course vision is a two-part process – your eye captures the image and then your brain processes the image. Does language have a significant enough impact on how we perceive our world?

There is a tribe in Namibia whose language does not distinguish blue and green. A study was held where people from this tribe were shown a circle of 12 squares – 11 green and 1 blue. To the researcher’s intrigue, the men and women of the Himba tribe could not tell which square was the odd one out – suggesting that their brain was processing the two colours as identical. However, the Himba language has more words distinguishing shades of green than English. In another study involving a circle of green squares with one square being a slightly different shade of green, the Himba tribe could pick out the different square much more easily than English-speakers.

The so-called “colour debate” is a hotly debated topic, with some arguing that language plays a crucial role in determining our perception of the world, while others state that language is separate to our senses. What did the ancient Greeks see when they gazed up into the sky? If we cannot describe something with words, then does it truly exist? But one thing is clear – things are not always as they seem.

Science & Nature

Posted on 04/01/201309/03/2019 by Jinavie

Why is the sky blue? This is because of a phenomenon called Rayleigh scattering where molecules and tiny particles in the atmosphere scatter direct sunlight. Light scatters at different amounts depending on its frequency. Because of this, blue and violet light (short-wavelength light) scatters more than the other colours, causing the sky to be blue. But during sunrise and sunset, the light enters the atmosphere from an angle, causing blue and green light to be so scattered that you cannot see it. This produces a red or orange colour.

The deep ocean is blue for a similar reason; red and yellow light is absorbed while blue becomes scattered by the water. However, the colour of the sea is also largely dependent on the colour of the sky at the time, as it reflects the sky. The colour of the sea may change due to algae in the water, which can make it green, brown or even red.

A similar form of light scattering called the Tyndall effect is responsible for blue eyes, caused by a turbid layer in the iris. The Tyndall effect can also be seen in a glass of water mixed with milk, or flour suspended in water.

Blue has one of the most interesting histories compared out of all the colours. In the ancient world, blue was considered a lowly colour, with some cultures such as the ancient Greeks not even considering it a “real colour” such as red, black, white and yellow. In fact, the Greeks did not have a word for the colour blue; it was merely called bronze colour. The ancient Romans considered blue the colour of barbarians. The Romans stereotyped blue-eyed women as promiscuous and blue-eyed men as aggressive and foolish. Only the ancient Egyptians liked the colour blue, as they considered it a colour of divinity. They made blue dye from copper.

Perhaps the hatred for the colour blue was due to the difficulty of making blue dyes. This all changed nearer to medieval times as artists and dyers successfully created blue dyes from minerals such as lapis lazuli, azurite and cobalt. Blue became the colour of the Virgin Mary. Artists began painting the sky and the sea as blue, which were previously depicted using black, white and green. Nobles began wearing blue instead of the traditional red and purple, and dyers followed this trend by devising better blue dyes with a variety of shades.

This led to the thriving of blue dye industries in European cities such as Amiens, Toulouse and Erfurt, where blue dye was made from a plant called woad. Although this was a very lucrative business, blue was still a very expensive and difficult colour to use, with the dying process involving soaking the woad in human urine (which contains ammonia) to extract the colour.

Blue became a much more accessible colour in the 18th century when flourishing trade brought indigo from the Americas. Indigo was much easier to use, more concentrated and produced a richer, more stable blue than woad. As blue became more and more popular, synthetic blue dyes were discovered – one of the most famous being Prussian blue which was discovered in Berlin in 1709.

Throughout its history, perhaps the product that best promoted the status of blue as a colour is the denim jean (dyed with indigo blue), invented by Levi Strauss in 1873.

In modern times, blue is an extremely popular colour that is widely used in art, fashion, architecture etcetera. However, the one field that blue has not yet been able to set foot in is food. Researches show that the colour blue drastically decreases a person’s appetite as it is associated with poison in the natural world.

Science & Nature

Rain

Posted on 21/12/201209/03/2019 by Jinavie

Let’s imagine that you are walking outside, when rain clouds catch you by surprise and suddenly pour down on you. Assuming that you have no umbrella or anything to cover yourself with, is it best to run back home or walk back? Or to elaborate, should you walk and spend more time in the rain, or should you run, which means you will run into rain sideways?

There are two ways you can get wet in the rain: it will either fall on top of your head, or you will run into it from the side. The amount of rain that falls on your head is constant whether you are walking or raining, as the entire field you are travelling through is full of raindrops. Therefore, one would naturally think that running would not add much benefit as you run into more rain by moving faster, as you essentially hit a wall of raindrops.

But this is not true. No matter how fast you travel, the amount of rain you hit sideways is constant. The only variable that affects the amount of rain you hit sideways is the distance you travel. This is because the amount of raindrops in the space between you and your destination is constant.

Summarising this, the wetness from rain you receive is:

(wetness falling on your head per second x time spent in rain) + (wetness you run into per meter x distance travelled).

Since you cannot really change how far you are from your destination, the best way to minimise getting wet is to run as fast as you can to minimise the time you spend in the rain.

Then again, this is only the most practical option to keep you dry. If you are feeling particularly romantic or blue, then feel free to stroll through the rain, savouring the cold drops on your face (or wallow in the sadness that is your life).

(Here’s a very good video explaining the maths/science of it all: http://www.youtube.com/watch?v=3MqYE2UuN24)

Psychology & Medicine

Scrubs

Posted on 21/02/201215/02/2019 by Jinavie

Scrubs is the uniform that surgeons, anaesthetists, emergency department doctors and nurses wear for the freedom and mobility required in activities such as surgery and CPR. Also, since it is owned and washed by the hospital instead of being privately owned, it is more hygienic and helps prevents infections. A noticeable trait of scrubs (and also surgical gowns) is that almost every hospital uses a shade of blue or green instead of white. Why is this?

The reason being, looking at a surgical scene for a long period of time can cause eye fatigue and afterimages due to the redness of blood and organs. Afterimage is a phenomenon that occurs when the retina becomes insensitive to a strong colour and instead making the complementary colour stand out more. Ergo, a surgeon looking at blood and organs for too long will see afterimages of a blue shade, which may cause accidents to happen as it overlaps on white surfaces or the surgical field. Clothing of blue or green colour neutralises the afterimage and is much easier on the eyes, reducing the fatigue. Lastly, blue-green colours have a calming psychological effect, which helps in a high-tension, stressful environment such as in an operating theatre.

Science & Nature

Common Side-Blotched Lizard

Posted on 14/01/201215/02/2019 by Jinavie

Rock-paper-scissors is a fun game that is played by people of all ages and nationalities. But there is also a species of lizards that plays this game, albeit in a rather strange way.

Male common side-blotched lizards, also known as Uta stansburiana, have a mating strategy based on the game, where the chances of “winning” is equal and one type has an advantage over another type while being disadvantaged against another type. The males come in three types, differing in the colour of their necks: orange, blue and yellow.

Orange-throated males are the strongest but do not like to form a bond with the female (i.e. do not want a relationship). They can easily win over a fight against the blue-throated males to win the female, but yellow-throated males can sneak in and win over the female instead. Orange beats blue but loses against yellow.
Blue-throated males are middle-sized but do form strong bonds with females. They lose in a fight against orange-throated males, but can easily defend against yellow-throated males as they are always with their female. Blue beats yellow but loses against orange.
Yellow-throated males are smallest but can mimic females, letting them approach females near orange-throated males. They mate with the females while the orange-throated male is distracted, but this strategy does not work with blue-throated males as they have stronger bonds with the females. Yellow beats orange but loses against blue.

Interestingly, although the proportion of the three types average out to be similar over the long run (much like the probability of a person playing a certain hand), in the short term the preferred strategy tends to fluctuate. For example, orange-throated males may strive with their masculine strength for four or five years, but then the trend will slowly switch to yellow-throated males and their mimicking, female-stealing strategy. After another four or five years, blue-throated males will make a comeback as they win over females with their strong bonding.

Science & Nature

Complementary Colours

Posted on 01/12/201114/02/2019 by Jinavie

Red, green, blue, white… There are many colours that we can see and there are even more different combinations of colours possible. It is common knowledge that some colours clash with each other while some synergise very well. A common example of a “good combination” is when you use complementary colours. Complementary colours are two colours that oppose each other on the colour wheel, creating an effect where they brighten each other. This makes it very eye-catching and attracts people’s attention. For example, blue and orange make a bright contrast making them a popular colour choice for movie posters. Red and green, and yellow and purple are also examples of complementary colours. Complementary colours are an important concept in art and design as it helps the product stand out.

Complementary colours have an interesting relationship with our sense of sight. If you stare at a colour for a while then quickly look at a blank, white surface, you will see an afterimage of the complementary colour. A good example is when you have your eyes closed under bright sunshine and upon opening your eyes the world seems a blue hue (the blood vessels in your eyelid make the light appear orange as it reaches your eyes). This is because the retinas try to negate the intense colour by downregulating the nervous signals corresponding to that colour, which makes the complementary colour stand out. Furthermore, the photoreceptors in the retina become fatigued after stimulation, causing a reduction in the signals sent for that colour.

Knowing about complementary colours is very useful when designing a sign or poster that easily attracts people.